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A shyrdak on the floor of a home in Aksy District, Kyrgyzstan. A shyrdak (Kyrgyz: шырдак, pronounced [ʃɯrˈdɑq]) or syrmak (Kazakh: сырмақ, romanized: syrmaq, pronounced [səɾˈmɑq]) is a stitched, and often colourful felt [1] floor and wallcovering, usually handmade in Central Asia.
In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
Azerbaijani carpet weaving (Azerbaijani: Azərbaycan xalça toxuculuğu) is a historical and traditional activity of the Azerbaijani people. The Azerbaijani carpet is a traditional handmade textile of various sizes, with dense texture and a pile or pile-less surface, whose patterns are characteristic of Azerbaijan's many carpet-making regions.
Together with Chiprovtsi carpets, the Pirot kilims are considered as part of a regional center of carpet weaving native to this mountain region of Eastern Serbia and Western Bulgaria. [4] An example of the patterns from the last periods is the Model of Rašič ( Serbian Cyrillic : Рашичева шара , romanized : Rašičeva šara ) which ...
The carpet weaving industry played a key role in the revival of Chiprovtsi in the 1720s after the devastation of the failed 1688 Chiprovtsi Uprising against Ottoman rule. The western traveller Ami Boué , who visited Chiprovtsi in 1836–1838, reported that "mainly young girls, under shelters or in corridors, engage in carpet weaving.
The composition and common shapes of the details are created on the basis of the composition "lachak turanj", which is formed by the foliate curve-linear patterns. However, with time the patterns of this composition became dotted and created an independent carpet pattern. Normally, the carpet was woven from memory, without a sketch.
Few essential tools are needed in carpet weaving: Knives are used to cut the yarn after the knot is made, a heavy instrument like a comb for beating in the wefts, and a pair of scissors for trimming off the ends of the yarn after each row of knots is finished.
For the art of carpet weaving in Persia, this meant, as Edwards wrote: "that in a short time it rose from a cottage métier to the dignity of a fine art." [25] The time of the Safavid dynasty marks one of the greatest periods in Persian art, which includes carpet weaving. Later Safavid period carpets still exist, which belong to the finest and ...