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Grover Washington Jr. (December 12, 1943 – December 17, 1999) [1] [2] was an American jazz-funk and soul-jazz saxophonist and Grammy Award winner. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders and legends of the smooth jazz genre. [3] He wrote some of his material and later became an arranger ...
Smooth jazz is generally described as a genre of music that utilizes instruments (and, at times, improvisation) traditionally associated with jazz and stylistic influences drawn from, among other sources, funk, popular and R&B. Since the late 1980s, it has become highly successful as a radio format.
It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." [1] [2] During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. [3]
No. Initial peak entry Artist(s) Title Weeks Ref. 2019; 217 December 14 Kayla Waters "Full Bloom" 6 [1]2020; 218 January 25 Lisa Addeo "Listen to This"
Bill Cosby did a parody version, "Just the Slew of Us", as the theme music for his movie Bill Cosby: Himself. Ralph MacDonald was the writer/producer. Ralph MacDonald was the writer/producer. In 1992, the New York City R&B vocal trio Around the Way sampled the song in "Really Into You".
The smooth jazz format also added R&B; according to Cary Goldberg of JVC, Paul Hardcastle "brought a sophisticated, urban groove" to the format. She said, "Instead of bringing jazz to R&B, he's brought an R&B groove to contemporary jazz." [7] The smooth jazz music mix included 70 percent instrumentals and 30 percent vocals.
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Lou Rawls – 'For What It's Worth" Maze – "Joy And Pain"; Timmy Thomas – "Why Can't We Live Together" The Isley Brothers – "That Lady"; Bobbi Humphrey – "You Are The Sunshine Of My Life"