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Degrees are relative to the major scale. List of musical scales and modes ... (0,2,3,6,7,9,11,12,14,15,17) ... A free Android app with scales & building chords for ...
Chord type Major: Major chord: Minor: Minor chord: ... 3-12: 0 4 8: Augmented ... List of musical scales and modes; List of set classes;
B-flat major is a major scale based ... Many transposing instruments are pitched in B-flat major, including the clarinet, ... The scale degree chords of B-flat major are:
The seventh chords built on each scale degree follow a distinct pattern. The roman numeral analysis is shown in parentheses. 1st: Major seventh chord (IM 7) 2nd: minor seventh chord (ii 7) 3rd: minor seventh chord (iii 7) 4th: Major seventh chord (IVM 7) 5th: Dominant seventh chord (V 7) 6th: minor seventh chord (vi 7) 7th: half-diminished ...
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest.
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
The bebop major scale is derived from the Ionian mode (major scale) and has a chromatic passing note added (a ♯ 5) between the 5th and 6th degrees of the major scale. Adding the ♯ 5 note to the seven-note major scale allows the chord tones 1, 3, 5 and 6 (a major 6th chord) to land on on-beats when the scale is played sequentially.
[citation needed] Play ⓘ Same chord in Ben Johnston's notation for just intonation. The Bohlen–Pierce scale (BP scale) is a musical tuning and scale, first described in the 1970s, that offers an alternative to the octave-repeating scales typical in Western and other musics, [1] specifically the equal-tempered diatonic scale.