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Slab serifs declined following the growing popularity of sans-serif faces, with which they always competed. [16] Notable collections of original wood type are held by the Hamilton in Wisconsin [ 17 ] [ 18 ] and the University of Texas at Austin , collected by Rob Roy Kelly, writer of a well-known book on American poster types. [ 19 ]
Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word sans, meaning "without" and "serif" of uncertain origin, possibly from the Dutch word schreef meaning "line" or pen ...
Slab serif fonts vary considerably: some such as Rockwell have a geometric design with minimal variation in stroke width—they are sometimes described as sans-serif fonts with added serifs. Others such as those of the "Clarendon" model have a structure more like most other serif fonts, though with larger and more obvious serifs.
The terminal (end) of an instroke or outstroke is often a serif or a stroke ending. A seriffed terminal may be described as a wedge, bulbous, teardrop, slab, etc., depending on the design of the type. Typefaces may be classified by their look, of which the weight and serif style – whether serif or sans-serif – are key features. [9]
Peter Biľak's Karloff is a family of normal and matching reverse-contrast fonts with upper- and lower-case, together with a low-contrast slab serif design, all with the same basic structure. Biľak and his colleagues tried to strictly invert the contrast of a conventional Didone font and interpolate the two for the low-contrast slab serif.
With the rise of digital computing, variants of the Courier typeface were developed with features helpful in coding: larger punctuation marks, stronger distinctions between similar characters (such as the numeral 0 vs. the upper-case O and the numeral 1 vs. the lower-case L), sans-serif variants, and other features to provide increased legibility when viewed on screens.
Meanwhile, the slab serifs are listed as an independent group in most typeface classifications—besides both main groups serif and sans serif. Slab-serif and sans-serif types were rarely used for continuous bodies of text; their realm was that of advertisements, title-pages and other attention-catching pieces of print.
Rockwell is a geometric slab-serif with a monoline construction, with all of its strokes appearing to be roughly the same width and its capital O roughly circular. This gives it a similar impression to common sans-serif designs of the period like Akzidenz Grotesk, Franklin Gothic, or Futura. [4]