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A Sámi drum is a shamanic ceremonial drum used by the Sámi people of Northern Europe. Sámi ceremonial drums have two main variations, both oval-shaped: a bowl drum in which the drumhead is strapped over a burl, and a frame drum in which the drumhead stretches over a thin ring of bentwood. The drumhead is fashioned from reindeer hide.
The Bön shaman's drum on a pole became part of Tibetan Buddhist ritual music ensembles. Also, the shang – a kind of bell-cymbal – became incorporated into Buddhist rituals. It was formerly only used by shamans to clear away negative energy before shamanic rituals.
The dhyāngro is a frame drum played by the jhakri (shamans) of Nepal and India—especially those of the Magars, the Kirati, and the Tamang—as well as by Tibetan Buddhist musicians. The dhyāngro may be either single- or double-headed. Double-headed drums are said to have a male side and a female side. [1]
Goldes shaman priest in his regalia. Drums – The drum is used by shamans of several peoples in Siberia. [62] [63] The beating of the drum allows the shaman to achieve an altered state of consciousness or to travel on a journey between the physical and spiritual worlds. Much fascination surrounds the role that the acoustics of the drum play to ...
E.g., the structure of their shamanic drum showed such peculiarity: it had two transoms. [39] It was also these two cultures who showed some features, which could be possibly of Samoyedic origin: the shaman's headdress, dress and boots has the effigies symbolizing human organs, mostly bones; [ 40 ] in the case of headdress, representation of ...
Sámi drum. Traditional Sámi spiritual practices and beliefs are based on a type of animism, polytheism, and what anthropologists may consider shamanism. The religious traditions can vary considerably from region to region within Sápmi. Traditional Sámi religion is generally considered to be Animism.