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Nataraja is a significant visual interpretation of Brahman and a dance posture of Shiva. The details in the Nataraja artwork have attracted commentaries and secondary literature such as poems detailing its theological significance. [19] [24] It is one of the widely studied and supreme illustrations of Hindu art from the medieval era. [45] [46]
The 108 karanas of Tandava have inspired Shiva sculptures of the 1st-millennium BCE, particularly the Tandava style which fuses many of these into a composite image found at the Nataraja temple of Chidambaram. [26] [27] Shiva as Nataraja or Krishna dancing the Tandava is a recurring theme in the Chola period bronzes. Various Shiva temples in ...
It is essentially a Shaivite festival and celebrates the cosmic dance of Shiva, which is represented by the Nataraja form. [20] [21] [22] Arudhra (Thiruvathirai in Tamil) signifies the golden red flame and Shiva performs the dance in the form this red-flamed light. Shiva is supposed to be incarnated in the form of Nataraja during the Arudra ...
Nataraja is the aspect of Shiva "whose ecstatic dance of destruction lays the foundation for the creation and sustenance of the universe." [ 6 ] The significance of the image of the dancing Shiva is indicated by his gestures: he is depicted with four arms, standing on Avidya , the demon of ignorance.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Architecturally the Chitrasabha resembles that of the other Nataraja Sabhas elsewhere in Tamil Nadu, and its interior is decked with hundreds of murals, depicting images from the Indian epics. Nataraja is brought here during festivals from the Kurumpalaveesar temple. The temple tree is called the Kurum Pala and the temple tank is called ...
[note 3] The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual transformation into Rudra-Shiva. [note 4] The identification of Agni with Rudra is explicitly noted in the Nirukta, an important early text on etymology, which says, "Agni is also called Rudra."
Before becoming the vehicle of Shiva, Nandi was a deity called Nandikeshvara, lord of joy and master of music and dance. Then, without warning, his name and his functions were transferred to the aspect of Shiva known as the deity Nataraja. From half-man, half-bull, he became simply a bull.