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Pillaiyar Suḻi (Tamil: பிள்ளையார் சுழி), also rendered Ganesha's curl or Ganesha's circle, is a sacred textual symbol. It is dedicated to the Hindu deity Pillaiyar (Ganesha), who is ritually worshiped first with prayers for success and is used to symbolize an auspicious beginning.
Vatapi Ganapatim praises the god Ganesha "Vatapi Ganapatim" is a part of the series of hymns called Shodasha Ganapati kritis, a collection of songs dedicated to sixteen Ganesha icons located in shrines around Dikshitar's birthplace Thiruvarur. [1]
13th-century Ganesha bronze. Late Chola, Tamil Nadu. Vinayagar Agaval is a devotional poetic hymn to the Hindu deity Ganesha. It was written in the 10th century during the Chola dynasty by the Tamil poet Avvaiyar, shortly before her death. [1] It is considered to be her greatest poem. [2] The 72-line 'Agaval' is a form of blank verse, close to ...
There after, she recorded many hundreds of songs for composers such as Ilaiyaraaja, A. R. Rahman, Mani Sharma, Koti, Deva, Vidyasagar, Hamsalekha and others. She received the National Film Award for Best Female Playback Singer for the song "Poraale Ponnuthayi" from the film Karuthamma (1994).
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. ... List of Tamil songs recorded by Sujatha Mohan; N. Naa Ready ...
Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...
Ganesha is referred to by his epithet of Vinayaka in the strota, and the title itself can be translated as "The five jewels in praise of Ganesha". The five jewels are the first five verses, while the sixth verse implores the listener to themselves read or recite the strota and tells them the resulting benefits.
Gambhiranata is a rāga in Carnatic music (musical scale of South Indian classical music) and Yakshagana where it is called Naati. It is an audava rāgam (or owdava rāga, meaning pentatonic scale). It is a janya rāga (derived scale), as it does not have all the seven swaras (musical notes).