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This bore fruit, and two generations of Cuban guitarists bear witness to his influence. He wrote a valuable book, La guitarra: su técnica y armonía, and two unpublished works: Diccionario de acordes and Un nuevo panorama de la modulación y su técnica. He was highly praised by Andrés Segovia, on a visit to Cuba, and held various teaching posts.
Diagonal barre chord: major seventh chord on G. [12] Play ⓘ The first finger frets both the second fret on the first string and the third fret on the sixth string. A diagonal barre chord is a "very rare chord" involving "the barring of a couple of strings with the first finger [diagonally] on different frets." [12]
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords.Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century.
12 canciones de García Lorca para guitarra (12 Songs by García Lorca for Guitar) is an album by Paco de Lucía and Ricardo Modrego. It is the second of three collaboration albums between the duo. It is the second of three collaboration albums between the duo.
The Portuguese guitar or Portuguese guitarra (Portuguese: guitarra portuguesa, pronounced [ɡiˈtaʁɐ puɾtuˈɣezɐ]) is a plucked string instrument with twelve steel strings, strung in six courses of two strings. It is one of the few musical instruments that still uses watch-key or Preston tuners.
This tuning also matches standard vihuela tuning and is often employed in classical guitar transcriptions of music written for those instruments, such as, for instance, "La Canción Del Emperador" and "Diferencias Sobre Guardame Las Vacas" by Renaissance composer Luis de Narváez, or music inspired by this style, such as "Pavanna" and "Bicycle ...
12 éxitos para 2 guitarras flamencas (12 Hits for 2 Flamenco Guitars) is the third of three collaboration albums between Paco de Lucía & Ricardo Modrego. Track listing [ edit ]
The Raphael song "Tema de Amor" was performed in the 1968 Argentinian film Digan lo que digan (Let Them Talk) and it used this song as the melody with lyrics. The Dutch Duo de Koning recorded the song as ‘Ave Maria klinkt zacht door de nacht’ probably in 1968. This piece was the melody for the 1970 Françoise Hardy song "San Salvador".