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In addition to the core Vaibhāṣika Abhidharma literature, a variety of expository texts or treatises were written to serve as overviews and introductions to the Abhidharma. The oldest one of these was the Abhidharma-hṛdaya-sastra (The Heart of Abhidharma), by the Tocharian Dharmasresthin, (c. 1st. century B.C.). This text became the model ...
Various other Abhidharma works were written by Sarvāstivāda masters, some are more concise manuals of abhidharma, others critiqued the orthodox Vaibhāṣika views or provided a defense of the orthodoxy. Dhammajoti provides the following list of such later abhidharma works that are extant in Chinese: 108 109
The Arthaviniścaya Sūtra is a composite text which is mainly made up of early Buddhist material organized into an Abhidharma type list. [59] Sanskrit fragments of different early Buddhist Agamas also survive from various sources, including from the archaeological finds in the Tarim Basin and the city of Turfan.
The Abhidhamma Pitaka is one of several surviving examples of Abhidharma literature, analytical and philosophical texts that were composed by several of the early Buddhist schools of India. One text within the Abhidhamma Pitaka addresses doctrinal differences with other early Buddhist schools. [2]
The various Abhidharma systems attempted to provide a fuller ontological account of nibbāna. The Theravada position is first found in the Dhammasaṅgaṇī, which describes nibbāna as the unconditioned element (asankhata-dhatu), completely outside of the five aggregates. It is a dhamma which "is neither skilful nor unskilful, associated ...
The Śāriputrābhidharma-śāstra (Ch. Shèlìfú Āpítán Lùn, 舍利弗阿毘曇論, Taisho: 28, No. 1548, pp. 525c-719a) is a Buddhist Abhidharma text of the Sthāvirāḥ Dharmaguptaka school, the only surviving Abhidharma from that school.
Śāriputra had a key leadership role in the ministry of the Buddha and is considered in many Buddhist schools to have been important in the development of the Buddhist Abhidharma. [7] [8] He appears in several Mahayana sutras, and in some sutras, is used as a counterpoint to represent the Hinayana school of Buddhism.