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  2. Portrait of Omai - Wikipedia

    en.wikipedia.org/wiki/Portrait_of_Omai

    However, as the broadcaster and art dealer Philip Mould noted, such a valuation could be justified against a declining market in eighteenth century art thanks to the unusual diversity of the painting's subject; saying "it is hard to put a price on such a rare full-length portrait of a man of colour." Mould's brother, also an expert in British ...

  3. Omai - Wikipedia

    en.wikipedia.org/wiki/Omai

    Omai of the Friendly Isles by Sir Joshua Reynolds, c.1774 William Parry's painting Sir Joseph Banks with Omai and Dr Daniel Solander, circa 1775–76. Mai (c. 1753–1779 [1]), also known as Omai in Europe, [a] was a young Ra'iatean man who became the first Pacific Islander to visit England, [2] and the second to visit Europe, after Ahutoru who was brought to Paris by Bougainville in 1768.

  4. File:Omai (Mai), Sir Joseph Banks and Daniel Charles Solander ...

    en.wikipedia.org/wiki/File:Omai_(Mai),_Sir...

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  5. US, UK galleries buy masterpiece 'Portrait of Mai' for $62M - AOL

    www.aol.com/entertainment/us-uk-galleries-buy...

    Getty museum director Timothy Potts said the painting — formerly known as ”Portrait of Omai,” the name by which the prince was known in Britain — “is not only one of the greatest ...

  6. Race to save £50m Reynolds painting showing early portrait of ...

    www.aol.com/race-save-50m-portrait-first...

    Exclusive: There are just two weeks to save the £50m 18th-century Joshua Reynolds painting – one of the earliest portraits of a person of colour – or it could be lost to a foreign buyer

  7. Could the Getty museum save the £50m Portrait of Omai ... - AOL

    www.aol.com/news/could-getty-museum-save-50m...

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  8. Portrait of Philip Gell - Wikipedia

    en.wikipedia.org/wiki/Portrait_of_philip_gell

    Portrait of Mai (Omai) by Sir Joshua Reynolds, oil on canvas, c.1776. Although unexhibited during Reynolds' lifetime, the picture was exhibited at the landmark Reynolds exhibition at the Royal Academy London in 1985 and in 1986 at the Grand Palais Paris. [2] The painting remained in the possession of descendants of the Gell family until 2007.

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