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The piece is featured in the record There is Sweet Music (Collegium Records COLCD 104, 1986; CSCD 505, 2002), performed by the Cambridge Singers under John Rutter. [8] It is also part of Choral Music - English Madrigals and Songs from Henry VIII to the 20th Century (Naxos 8.553088, 1996) performed by the Oxford Camerata under Jeremy Summerly.
Wallace Harris Long, Jr. is an American choral conductor, educator, and vocalist. He was director of choral activities at Willamette University from 1983 to 2020, [ 1 ] [ 2 ] founded the Willamette Master Chorus and conducted the group from 1985 to 1998, [ 3 ] and was a member of Male Ensemble Northwest.
The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non-liturgical sacred text, [1] written or arranged for several vocal parts. Part songs are commonly sung by an SATB choir, but sometimes for an all-male or all-female ensemble. [ 2 ]
A longa in white-mensural notation. A longa rest (modern form) worth two breves. A longa (pl. longae, or sometimes longe), long, quadruple note (Am.), or quadruple whole note is a musical note that could be either twice or three times as long as a breve (Am.: double whole note, or double note), four or six times as long as a semibreve (Am.: whole note), that appears in early music.
Das Lied vom deutschen Vaterland, WAB 78, a 20-bar long work in D-flat major for men's choir composed in c. 1845.The composer of the text is unknown. Ständchen, WAB 84.2, a 29-bar long work in G major, for humming men's-voice quartet and tenor soloist, composed in c. 1846 on a text possibly by Ernst Marinelli.
Frank Pooler was born and raised in Onalaska, Wisconsin. [5] [6] He attended St. Olaf College in Northfield, Minnesota, and earned a bachelor's degree there.While there he acquired a love for choral music while singing under Olaf Christiansen, son of the noted choral director, F. Melius Christiansen.
In the 17th century the repertoire was enriched with more choral and organ settings of the chorale tunes. By the end of the century a four-part setting for SATB voices had become the standard for the choral settings, while the congregational singing of chorales was tending towards monody with an instrumental accompaniment. The prolific creation ...