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Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery art film written and directed by David Lynch. Its plot follows an aspiring actress ( Naomi Watts ) who arrives in Los Angeles , where she befriends a woman ( Laura Harring ) who is suffering from amnesia after a car accident.
4. ‘Reservoir Dogs’ (1992) Just like Quentin Tarantino’s second movie opens with a diner scene, so does his 1992 debut. The film depicts a gang of criminals who are about to take part in a ...
Naomi Watts’ famous masturbation scene in the 2001 David Lynch film Mulholland Drive is seared into the actress’ brain, but not for the reasons you might think. Her unshakable memories center ...
In the early 1950s, a four-man squad of LAPD detectives, frustrated with the rules and weaknesses of the legal system stopping them from more aggressively battling crime, commit an extrajudicial execution when they toss Jack Flynn, a powerful gangster from Chicago, off a cliff on Mulholland Drive, nicknamed "Mulholland Falls" for all the criminals they have thrown to their deaths.
Daily Vanguard editor Victoria Castellanos remarked that the film "serves as a wonderful companion to Mulholland Drive and Inland Empire, and in many ways is more surreal and emotional than some of Lynch's other films". [46] Lost Highway served as an inspiration for the 2001 video game Silent Hill 2. [65] [66]
Tesla has begun hiring for a diner with a drive-in movie theater it plans to open in Los Angeles.. The EV manufacturer is seeking a “Diner Experience Specialist” who will help oversee the ...
Angelo Daniel Badalamenti (March 22, 1937 – December 11, 2022) was an American composer and arranger best known for his film music, notably the scores for his collaborations with director David Lynch, Blue Velvet (1986), Twin Peaks (1990–1991; 2017), Twin Peaks: Fire Walk with Me (1992), The Straight Story (1999), and Mulholland Drive (2001).
In his view, the episode's blending of surrealism and horror was similar to scenes from Lynch's 2001 film Mulholland Drive. Phipps described the climactic murder as "one of the most disturbing moments in the Lynch filmography", adding that it was a recurring Lynchian theme to represent the end of innocence as an actual death. [29]