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Bongo drums produce relatively high-pitched sounds compared to conga drums, and should be held behind the knees with the larger drum on the right when right-handed. It is most often played by hand and is especially associated in Cuban music with a steady pattern or ostinato of eighth-notes known as the martillo (hammer). [3]
A family of Latin American drums derived from the European bass drum Bombo legüero: Unpitched Membranophone Argentina Bonang: Indonesia Pitched 111.241.2 Idiophone Bones (instrument) Unpitched 111.11 Idiophone Bongo drum: Cuba Unpitched 211.251.2 Membranophone Boobam: United States Unpitched 211.211.1 Membranophone Boomwhacker: United States ...
Drummers' usage of electronic drum equipment can range from adding a single electronic pad to an entire drum kit (e.g., to have access to an instrument that might otherwise be impractical, such as a large gong), to using a mix of acoustic drums/cymbals and electronic pads, to using an acoustic kit in which the drums and cymbals have triggers ...
Conga drums are classified according to their size, which correlates to their pitch: larger drumheads have a lower pitch and vice versa. Originally, drums were tuned by adjusting knots and tension ropes on the drumhead, or, more commonly, where the drum heads were tacked or nailed to the top of the shell, by careful heating of the head.
See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion: Each list is alphabetical.
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Within a set of unpitched percussion instruments, there is commonly a sense of higher and lower pitch, for example: The smaller of a set of two timbales or bongo drums is tuned higher than the larger. The smaller tom-tom drums in a drum kit are tuned higher than the larger ones. Three or more tom-toms are common, each tuned higher than the ...
Growing up in Chicago, Gibson was constantly tapping out rhythms on his desk at school. At age ten he acquired a set of bongos, which he used to perform on the streets and in laundrettes in his neighborhood. [1] In the late 1950s, Gibson began playing with and toured for more than a year with calypso singer Mighty Panther before returning to ...