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French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
French phonology is the sound system of French.This article discusses mainly the phonology of all the varieties of Standard French.Notable phonological features include the uvular r present in some accents, nasal vowels, and three processes affecting word-final sounds:
Dumas, Denis (1987), Nos Façons de Parler: les Prononciations en Français Québécois, Sillery, Quebec: Presses de l'Université du Québec, ISBN 2-7605-0445-X; Reinke, Kristin (2005), La langue à la télévision québécoise: aspects sociophonétiques (PDF), Gouvernement du Québec, ISBN 2-550-45542-8
In linguistics, prosody (/ ˈ p r ɒ s ə d i, ˈ p r ɒ z-/) [1] [2] is the study of elements of speech, including intonation, stress, rhythm and loudness, that occur simultaneously with individual phonetic segments: vowels and consonants.
The charts below show the way in which the International Phonetic Alphabet (IPA) represents French language pronunciations in Wikipedia articles. For a guide to adding IPA characters to Wikipedia articles, see Template:IPA and Wikipedia:Manual of Style/Pronunciation § Entering IPA characters.
Elision of the second-person singular subject pronoun tu, before the verbs beginning with a vowel or mute h (silent h), and of the particle of negation ne, is very common in informal speech, but is avoided in careful speech and never used in formal writing: [citation needed]
Il y a deux bergers et quinze moutons dans le pré. – "There are two shepherds and fifteen sheep in the meadow." Il y aura beaucoup à manger. – "There will be a lot to eat." Il y aurait deux morts et cinq blessés dans l'accident. – "There appears to have been (lit. would have) two dead and five injured in the accident." (as in news ...
Sylvius used the circumflex to indicate so-called "false diphthongs".Early modern French as spoken in Sylvius' time had coalesced all its true diphthongs into phonetic monophthongs; that is, a pure vowel sound, one whose articulation at both beginning and end is relatively fixed, and which does not glide up or down towards a new position of articulation.