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  2. Chordal space - Wikipedia

    en.wikipedia.org/wiki/Chordal_space

    For example, the proximity of the C major and e minor chords reflects the fact that the two chords share two common tones, E and G. Moreover, one chord can be transformed into another by moving a single note by just one semitone: to transform a C major chord into an E minor chord, one need only move C to B.

  3. List of variations on Pachelbel's Canon - Wikipedia

    en.wikipedia.org/wiki/List_of_variations_on...

    It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [1] [2] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression. [3]

  4. Common chord (music) - Wikipedia

    en.wikipedia.org/wiki/Common_chord_(music)

    A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...

  5. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D minor and E minor. In practice, in a minor key, the third of the dominant chord is often raised by one semitone to form a major chord (or a dominant seventh chord if the seventh is added).

  6. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    Using lead sheet chord names, these chords could be referred to as A minor, D minor, G major and C major. [ 1 ] In music theory , Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals , which encode the chord's degree and harmonic function within a given musical key .

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  8. Parallel and counter parallel - Wikipedia

    en.wikipedia.org/wiki/Parallel_and_counter_parallel

    Tonic and tonic counter parallel in C major: CM and Em chords Play ⓘ. Tonic and tonic counter parallel in C minor: Cm and A ♭ M chords Play ⓘ. Contrast chord example Play ⓘ: C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in ...

  9. Half diminished scale - Wikipedia

    en.wikipedia.org/wiki/Half_diminished_scale

    The half diminished scale is a seven-note musical scale.It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth).