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God is gone up with a shout, the L ORD with the sound of a trumpet. Sing praises to God, sing praises: sing praises unto our King, sing praises. For God is the King of all the earth: sing ye praises with understanding. God reigneth over the heathen: God sitteth upon the throne of his holiness.
"Hear my prayer, O Lord", Z. 15, [1] is an eight-part choral anthem by the English composer Henry Purcell (1659–1695). [2] The anthem is a setting of the first verse of Psalm 102 [2] in the version of the Book of Common Prayer. Purcell composed it c. 1682, at the beginning of his tenure as Organist and Master of the Choristers for Westminster ...
Hymns additional to the Hymns in the Prayer Book (1850) [40] A Selection of Psalms and Hymns, for the use of Sunday Schools (1850) [41] The Lecture-Room Hymn-Book: containing the psalms and hymns of the book of common prayer (1855) [42] The Infant-School Hymn-Book (1856) [43] A Collection of Hymns (1859) [44] A Collection of Sacred Song (1859) [45]
Hear my prayer" (German: Hör' mein Bitten) is an anthem for soprano solo, chorus and organ or orchestra composed by Felix Mendelssohn in Germany in 1844. The first performance took place in Crosby Hall, London , on 8 January 1845. [ 1 ] (
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
How Sweet the Sound: 25 Favorite Hymns and Gospel Greats is a studio double album by American rock band the Charlie Daniels Band. The album sees the band performing Christian hymns in their style. According to Daniels, "I didn’t want to do it in a churchy way, [...] I wanted to do it like CDB would do it."
The Maiden's Prayer was used in a macabre context in Mary Wilkins Freeman's ghost story The Wind in the Rose-Bush (published 1903), where the main character, roused from sleep by the sound of the melody being played in a seemingly empty house, rushed downstairs to see who was at the piano, only to find that there was no one there. [18]
The preface to the hymnal describes itself as "a collection of the best hymns in the English language." [2] Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London [3] [4] and the hymnbook could be considered a musical companion to The Parson's Handbook, Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings.