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Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including articles such as "a", "an", or "the").
The Bee Gees scored the most number-one hits (9 songs) and had the longest cumulative run atop the Billboard Hot 100 chart (27 weeks) during the 1970s. Rod Stewart remained at the top of the Billboard Hot 100 chart for 17 weeks during the 1970s. Elton John amassed the second-most number-one hits on the Hot 100 chart during the 1970s (6 songs). #
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
Synth-pop (short for synthesizer pop; [10] also called techno-pop [11] [12]) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. [13]
[5] 1971 ARP: ARP 2600 [14] 1972 ARP: ARP Odyssey: First duophonic synthesizer (capable of playing two notes at once) [5] 1975 Moog Music: Polymoog [17] 1969 EMS: VCS3 [5] 1976 Yamaha: CS-80 [5] 1978 Korg: MS-20 [5] 1981 PPG: Wave [5] 1991 Korg: 01/W [18] 1997 Propellerhead Software: ReBirth: One of the first software synthesizers that could be ...
Synthwave is a microgenre [10] [11] of electronic music [1] that draws predominantly from 1980s films, video games, and cartoons, [12] as well as composers such as John Carpenter, Jean-Michel Jarre, Vangelis, and Tangerine Dream. [13] [14] Other reference points include electronic dance music genres including house, synth, and nu-disco. [15]
The same year, Japanese musician Isao Tomita released the electronic album Electric Samurai: Switched on Rock, a collection of Moog synthesizer renditions of contemporary rock songs. It featured voice synthesis and synthesizer programming that he would later carry over to his 1974 hit album Snowflakes Are Dancing .
The DX7 was the first commercially successful digital synthesizer [10] [11] [12] and remains one of the bestselling synthesizers in history. [11] [13] According to Bristow, Yamaha had hoped to sell more than 20,000 units. Within a year, orders exceeded 150,000 units, [7] and Yamaha had sold 200,000 units after three years. [14]