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Guernica is a large 1937 oil painting by Spanish artist Pablo Picasso. [1] [2] It is one of his best-known works, regarded by many art critics as the most moving and powerful anti-war painting in history. [3]
Immediately after hearing about the 26 April 1937 bombing of Guernica, Larrea visited Pablo Picasso in his Paris studio and urged him to make the bombing the subject for the large mural the Spanish Republican government had commissioned him to create for the Spanish pavilion at the 1937 Paris World's Fair, which resulted in Picasso's famed anti-war painting Guernica.
Picasso created the image between 1944 and 1945, using oil and charcoal on canvas. The painting measures 199.8 cm x 250.1 cm. [8] Echoing the composition of Guernica, Picasso used Expressionist forms to convey the tortured images of the figures, using funereal shades of gray, white and black. The image depicts the contorted bodies of a man ...
The building was then used as a temporary exhibition space until 1971. From 1971 to 1981 it was used by the Museo del Prado for the 19th-century collections paintings and sculptures which had formerly been in the Museo de Arte Moderno. From 1981 to 1992 the Casón housed Picasso’s Guernica painting, now in the Museo Reina Sofía. [2]
During the creation of Guernica, Picasso made his first studies of a weeping woman on 24 May 1937, however, it was not to be included in the composition of Guernica.An image of the weeping woman was inserted in the lower right of the painting, but this was removed by Picasso, who considered that it would upstage the agonised expressions of the four women in the painting.
After a brief voice-over by Jacques Pruvost describing the bombing of Guernica on 26 April 1937, María Casares recites a poem by Paul Eluard on the subject of that atrocity, accompanied by imagery from numerous paintings, drawings, and sculptures produced by Pablo Picasso between 1920 and 1949, particularly Guernica (1937).
The images form a sequence like those in a comic book (in particular, the Spanish auca) and have a loose narrative: [1] [2] Franco's form changes from panel to panel. The Spanish dictator's appearance has been likened by various writers to a "jackbooted phallus", [7] "an evil-omened polyp" [6] and "a grotesque homunculus with a head like a gesticulating and tuberous sweet potato".
In 1955, Picasso, Jaqueline and her husband René Dürrbach worked together to create a tapestry version of Picasso's anti-war painting Guernica. [7] [8] [9] They also jointly created a 3.50 x 7.10 metre gouache painting as a study for the Guernica tapestry. [9] In 1957 she created a tapestry of Picasso's Deux Harlequins painting. [7] [10]