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"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album Meddle. It is 23 + 1 ⁄ 2 minutes long, the second longest of their discography, fourteen seconds shorter than "Atom Heart Mother Suite", and takes up the entire second side of the original LP.
Echoes: The Best of Pink Floyd is the fourth compilation album by the English rock band Pink Floyd, released on 5 November 2001 by EMI internationally and a day later by Capitol Records in the United States. It debuted at No. 2 on the Billboard 200 album chart on 24 November 2001, with sales of 214,650 copies. [1]
Both the E major and E minor chords feature the ninth, making this song one of many Pink Floyd songs to feature a prominent E minor added ninth chord, "Em(add9)". Throughout most of the song, the bass line remains on E as a pedal point, creating a drone. In the instrumental interlude, however, the chords change completely to A minor and B minor ...
Meddle is the sixth studio album by the English rock band Pink Floyd, released by Harvest Records on 5 November 1971 in the United Kingdom. [3] The album was produced between the band's touring commitments, from January to August 1971 at a series of locations around London, including EMI Studios (now Abbey Road Studios) and Morgan Studios.
Pink Floyd. David Gilmour – guitar, lead and backing vocals, pedal steel guitar on "Shine on You Crazy Diamond," and "The Great Gig in the Sky," Synthi AKS on “On the Run,” [2] Hammond organ on "The Great Gig in the Sky" Roger Waters – bass, lead and backing vocals, additional keyboards on "Echoes" [3]
"Run Like Hell" is a song by the English progressive rock band Pink Floyd, written by David Gilmour and Roger Waters. It appears on their eleventh studio album The Wall (1979) and was released as a single in 1980, [1] [2] reaching #15 in the Canadian singles chart and #18 in Sweden but it only reached #53 in the U.S.
The shrill siren-like sound effect used during this song is also used in an earlier Pink Floyd work, "Echoes". The noise is mimicking a seagull cry. The noise is mimicking a seagull cry. The seagull noise was created by David Gilmour using a wah-wah pedal with the guitar and output leads plugged in the wrong way round.
The Wall was adapted into a film, Pink Floyd – The Wall. It was conceived as a combination of live concert footage and animated scenes; however, the concert footage proved impractical to film. Alan Parker agreed to direct and took a different approach. The animated sequences remained, but scenes were acted by actors with no dialogue.