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The Red and Blue Chair is a chair designed in 1917 by Gerrit Rietveld. It represents one of the first explorations by the De Stijl art movement in three dimensions. It features several Rietveld joints. The original chair was constructed of unstained beech wood and was not painted red, blue, yellow, and black until around 1923.
The Tulip chair was designed by Eero Saarinen in 1955 and 1956 [1] for the Knoll company of New York City. [2] The designs were initially entitled the 'Pedestal Group' before Saarinen and Knoll settled on the more organic sounding 'Tulip chair' to mirror its inspiration from nature. [ 3 ]
The Egg was designed in a typical Jacobsen style, using state-of-the-art material. It is believed to be inspired by Eero Saarinen 's "Womb chair", from which it borrows some traits. Related to the Egg is the Swan chair and, to some degree, many of Jacobsen's plywood chairs such as "7", the Ant, the Cigar, the Grand Prix-chair, the Pot, the Drop ...
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Chair, c. 1772, mahogany, covered in modern red morocco leather, height: 97.2 cm, Metropolitan Museum of Art (New York City) A chair is a type of seat, typically designed for one person and consisting of one or more legs, a flat or slightly angled seat and a back-rest.
Wassily chair by Marcel Breuer Marcel Breuer Faltsessel, Chair D4 (1927), from the Bauhaus Dessau Wassily chairs in the Bauhaus of Dessau. The Wassily Chair, also known as the Model B3 chair, was designed by Marcel Breuer in 1925–1926 while he was the head of the cabinet-making workshop at the Bauhaus, in Dessau, Germany.
The Campeche chair design is generally linked with the ancient X-frame, sella curulis, and "campaign" furniture. Gontar has emphasized the chair's relation to the European curule (also "Savonorola" and sillón de cadera) and has defined its cultural and artistic significance as follows:
The material of the chair, Zenaloy, which is polyester reinforced with fiberglass, was first developed by the US Army during World War II. [4] Using this material, Ray and Charles Eames designed a prototype chair for the 1948 ‘International Competition of Low-Cost Furniture Design’ held by the Museum of Modern Art.