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186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
McGrath was particularly interested in the architectural and decorative use of glass, writing several articles for the Architectural Review in the 1930s, and in 1937 publishing the highly influential book Glass in Architecture and Decoration. Some of his 1934 etched glass doors can still be seen at RIBA's headquarters in Portland Place, London. [5]
The interior reflects the Queen Anne style with an asymmetrical floor plan. Through the front doors is a large entry hall. The interior includes stained and etched glass windows, plaster corbels and arches. The fireplace is decorated in a flower motif of oak with a faux marble painted soapstone enclosure. Door lights are made of engraved glass. [4]
Doors were often surmounted by decorative fanlights in which the panes of glass might be supported by lead, but wood was also commonly used as the support for the glass in fanlights. Casement windows and fixed windows continued to employ leadlight, often with larger panes of rectangular rather than diamond shape.
Only one of the light fixtures, which have oval etched-glass domes suspended within brass frameworks and hanging from the ceiling via brass chains, is original; the others were replicated. The bronze and leaded glass doors between the vestibule and the lobby were recently restored.
The central entrance arch cuts the podium and houses intricately carved hardwood doors and a stained-glass fanlight protected by decorative wrought iron railings. Bays 1 and 3 both consist of paired arches, located above the podium and articulated in an ionic pilaster order. Each arch-window houses folding jalousie shutters. [2]: 3