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For "Komm, gib mir deine Hand", they overdubbed German vocals onto the original backing track of "I Want to Hold Your Hand". The two-track tapes of "She Loves You" from July 1963 were erased after the mono master was made, forcing the Beatles to record " Sie liebt dich " entirely from scratch.
"I Want to Hold Your Hand" is a song by the English rock band the Beatles, written by John Lennon and Paul McCartney. Recorded on 17 October 1963 and released on 29 November 1963 in the United Kingdom, it was the first Beatles record to be made using four-track recording equipment.
The band thought it unnecessary, but were asked by George Martin to comply, recording "Sie liebt dich" on 29 January 1964, along with "Komm, gib mir deine Hand", at the Pathé Marconi Studios in Paris. They recorded new vocals over the original backing track to "I Want to Hold Your Hand;" "Sie liebt dich" was recorded entirely from scratch. [25]
Here, they recorded German-language versions of their two most recent singles, "I Want to Hold Your Hand" and "She Loves You", titled "Komm, gib mir deine Hand" and "Sie liebt dich", respectively. According to their producer, George Martin , this was done as "they couldn't sell large quantities of records [in Germany] unless they were sung in ...
Some German words are used in English narrative to identify that the subject expressed is in German, e.g., Frau, Reich. As languages, English and German descend from the common ancestor language West Germanic and further back to Proto-Germanic; because of this, some English words are essentially identical to their German lexical counterparts ...
Marsha Albert (born 1948) is an American citizen who triggered the early 1960s phenomenon known as Beatlemania in the United States, when as a 15-year-old girl, on December 17, 1963, she introduced The Beatles song "I Want To Hold Your Hand" on American radio.
According to Walter Everett the opening chord has an introductory dominant function because McCartney plays D in the bass: Harrison and Martin play F A C G, over the bass D, on twelve-string guitar and piano respectively, giving the chord a mixture-coloured neighbour, F; two diatonic neighbours, A and C; plus an anticipation of the tonic, G ...
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