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Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
The original ceiling painting was by Pier Matteo d'Amelia, and had depicted stars over a blue background [7] like the ceiling of the Arena Chapel decorated by Giotto at Padua. [8] For six months in 1504, a diagonal crack in the chapel's vault had made the chapel unusable, and Pope Julius II (Giuliano della Rovere) had the damaged painting ...
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A reflected ceiling plan (RCP) shows a view of the room as if looking from above, through the ceiling, at a mirror installed one foot below the ceiling level, which shows the reflected image of the ceiling above. This convention maintains the same orientation of the floor and ceilings plans – looking down from above.
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Some surviving examples are beautifully decorated. The opening in the ceiling above the pool (compluvium) called for some means of support for the roof, and it is here where one differentiates between five different styles of atrium. As the centrepiece of the house, the atrium was the most lavishly furnished room.
A round caisson in the imperial garden at the Forbidden City. The caisson (Chinese: 藻井; pinyin: zǎojǐng; lit. 'algae well'), also referred to as a caisson ceiling, or spider web ceiling, [1] in Chinese architecture is an architectural feature typically found in the ceiling of temples and palaces, usually at the centre and directly above the main throne, seat, or religious figure.