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Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
Rembrandt benefitted from this global exposure that enabled him to buy "drawings and prints from the principal masters of the whole world". His inventory included Chinese, Turkish and Mughal Indian artefacts. The latter was the inspiration for his late-career Mughal drawings, which marked a significant departure from his usual style and subjects.
The Gulshan album was an early project of the cultured Mughal emperor Jahangir (r. 1605–1627). [7] Based on internal inscriptions, the collection was probably begun about 1599, while Jahangir was still Prince Salim, governor of Allahabad and son of the ageing Emperor Akbar, and continued till about 1609. [6]
The dominant tradition of miniature painting in the late Middle Ages was that of Persia, which had a number of centres, but all usually dependent on one key patron, whether the shah himself, or a figure either governing a part of the country from a centre such as Herat, where Baysunghur was an important patron in the early 15th century, or the ruler of a further part of the Persianate world in ...
Govardhan (fl. 1595–1640) [1] was a Mughal era Indian painter of the Mughal school of painting. His father Bhavani Das, had been a minor painter in the imperial workshop. Like many other Mughal painters, they were Hindus. He joined the imperial service during the reign of Akbar and he continued his work till the reign of Shah Jahan. The ...
The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature in Turkey, and the Mughal miniature in the Indian sub-continent.