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Southern Baptist Convention. Baptist Hymn Book (1847) [573] The Baptist Psalmody: a selection of hymns for the worship of God (1850) [574] Dyer's Psalmist: A Collection of Hymns and Sacred Songs for the use of Baptist Churches (1851) [575] Kind Words: a new collection of hymns and tunes for sunday schools and the social circle (1871) [576]
The hymn uses classical metres: the Sapphic stanza consisting of three Sapphic hendecasyllables followed by an adonius (a type of dimeter).. The chant is useful for teaching singing because of the way it uses successive notes of the scale: the first six musical phrases of each stanza begin on a successively higher notes of the hexachord, giving ut–re–mi–fa–so–la; though ut is ...
The Baptist Hymnal is a book of hymns and songs used for Christian worship in churches affiliated with the United States denomination, the Southern Baptist Convention. There have been four editions, released in 1956, 1975, 1991 and 2008. The 2008 edition is also published under the name The Worship Hymnal. [1]
Crosby was a longtime member of the Sixth Avenue Bible Baptist Church in Brooklyn, New York, which has been in existence continuously since 1867. She served as a consecrated Baptist missionary, deaconess, and lay preacher. She wrote hymns together with her minister Robert Lowry, such as "All the Way My Savior Leads Me" and many others.
Robert Lowry (March 12, 1826 – 25 November 1899) was an American preacher who became a popular writer of gospel music in the mid-to-late 19th century. His best-known hymns include "Shall We Gather at the River", "Christ Arose!", "How Can I Keep from Singing?" and "Nothing But The Blood Of Jesus".
The hymn's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. It became prevalent in American publications but not English ones.
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs , which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891.
These are often designated "gospel songs" as distinct from hymns, since they generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, "Amazing Grace" is a hymn (no refrain), but "How Great Thou Art" is a gospel song. During the 19th century the gospel-song genre ...