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Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
Fünf Wüstenlieder (five Desert Songs) (1999) Philip Glass. Songs and Poems (in 7 movements) (2007) Orbit (2013) Friedrich Goldmann. Cellomusik (1974) Marin Goleminov. Sonata (1969) Osvaldo Golijov. Omaramor (1991) Andrei Golovin Elegy for solo cello (1988) Yevgeny Golubev. 2 Etudes for solo cello, Op. 46 (1961) Concert Aria for solo cello (1961)
The music begins in the piano, and the cello enters on a playful counter-melody in measure twelve, [2] [8] and the two instruments pass arpeggiated and scalar figures back and forth. [4] A more melodic section in D major begins in measure 33, and the fast-paced music passes through A major and E major before returning to G. [ 2 ]
In 1923, Leopold Godowsky composed piano transcriptions of Suites Nos. 2, 3, and 5, in full counterpoint for solo piano, subtitling them "very freely transcribed and adapted for piano". [20] The cello suites have been transcribed for numerous solo instruments, including the violin, viola, double bass, viola da gamba, mandolin, piano, marimba ...
Concert à quatre for Piano, Cello, Flute and Oboe (1990–1992) Michael Nyman. Double Concerto for Saxophone, Cello and Orchestra (1997) Richard Strauss. Don Quixote, Op. 35 (1897) Toru Takemitsu. Scene: for cello and string orchestra (1958) Quatrain for clarinet, violin, cello, piano and orchestra (1975) Orion and Pleiades for Cello and ...
The Cello Sonata (Sonate pour violoncelle et piano), L. 135, is a sonata for cello and piano by Claude Debussy. It was part of his project Six sonatas for various instruments to compose six sonatas for different instruments. It consists of three movements: Prologue, Sérénade and Finale. It was composed and published in 1915.
Although the sonata was regarded as "pleasant but no more" ("agréable sans plus"), [2] it was played more than the Violin Sonata. [4] Reviewer Renaud Machart found the Cavatine "severe but beautiful" and the Finale "very successful" but deplored the lack of character of the first movement, [4] while biographer Henri Hell commented that "in spite of a very pretty Cavatine, it has little ...
Sergei Rachmaninoff's Sonata in G minor for Cello and Piano, Op. 19 was completed in November 1901 [1] and published a year later. Rachmaninoff regarded the role of the piano as not just an accompaniment but equal to the cello. Most of the themes are introduced by the piano, while they are embellished and expanded in the cello's part. [2]