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In some cases, international architects were recruited to design Moroccan-style buildings for major royal projects such as the Mausoleum of Mohammed V in Rabat and the massive Hassan II Mosque in Casablanca. [56] [13] The monumental new gates of the Royal Palace in Fez, built in 1969–1971, also made use of traditional Moroccan craftsmanship. [3]
As with other traditional Moroccan structures, the interior decoration includes carved stucco, sculpted and painted wood, and zellij tilework. [2] [1] The central patio/courtyard, the wast ad-dar, is thus the centerpiece of the house. The size and craftsmanship of this interior space was an indication of the status and wealth of its owners ...
The 1906 Algeciras Conference gave the French holding company la Compagnie Marocaine permission to build a modern port in Casablanca. [4] The French bombardment of Casablanca the following year destroyed much of the city, which at the time consisted of the medina, the mellah (Jewish quarter), and an area known as Tnaker. [ 3 ]
The gates are considered an excellent piece of modern Moroccan craftsmanship and are lavishly decorated with elaborate mosaic tilework, carved cedar wood, and doors of gilt bronze covered in geometric patterns. [8] These gates, along with the gate at the Old Mechouar, are the closest that most members of the public can get to the palace grounds.
Moroccan houses were inward focused, which allowed for family privacy and protection from the weather. This inward focus was expressed with a centrally placed interior garden or courtyard, and the lack of large windows on the exterior walls of rammed earth or mud brick. This design principle also found support in the social mores of Islamic ...
The Kitchen in History, Osprey; 1972; ISBN 0-85045-068-3; Kinchin, Juliet and Aidan O'Connor, Counter Space: Design and the Modern Kitchen (MoMA: New York, 2011) Lupton, E. and Miller, J. A.: The Bathroom, the Kitchen, and the Aesthetics of Waste, Princeton Architectural Press; 1996; ISBN 1-56898-096-5.