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The song is based on a Cuban Mambo song, and “tequila,” the only word in the song, is repeated three times. The song won a Grammy in 1958 for best R&B performance, and in 2001, the song was ...
"For the Good Times" is a song written by Kris Kristofferson, first recorded by singer Bill Nash in 1968 before appearing on Kristofferson's own debut album in June 1970. After a recording by Ray Price became a #1 hit single in June of that year, the song established Kristofferson as one of country and popular music's top songwriters while ...
It was noted that despite stylistic differences, most song built up to a easycore, melodic chorus. [1] Despite the band's frustrations with the COVID-19 pandemic during the recording sessions, the track was actually about positive thoughts, reminiscing about the good times they had touring in the past. [3]
The lyrics tell the story of someone who regrets having wasted too much time doing useless things instead of aspiring to become someone successful. Musically, the song has a dark and depressed feeling with a light-hearted break just before the final verse. The song features a string quartet, which is heard in the second portion of the song.
"Let the Good Times Roll" reached number two in the Billboard R&B chart in 1947. Its flip side, "Ain't Nobody Here but Us Chickens", was the top number one record of 1947 — both songs spent nearly six months on the chart. [6] In 2009, the song was acknowledged with a Grammy Hall of Fame Award. [7]
The upbeat instrumentals and the chorus with lyrics like “I’m walking on sunshine and don’t it feel good” makes this ‘80s song worth playing over and over again. Listen Here 21.
"Where Have All the Good Times Gone" is a song written by Ray Davies and performed by the Kinks. It was released as the B-side to "Till the End of the Day," [2] and then on their album The Kink Kontroversy (1965 UK, 1966 US). Cash Box described the single as a "raunchy, shufflin’ emotional tale of despair." [3]
Bunny Sigler covered it as a medley along with the song "Feel So Good", peaking at number 20 on the Top Selling R&B Singles chart and number 22 on the Billboard Hot 100 (1967) [9] Harry Nilsson covered it on his 1971 album Nilsson Schmilsson .