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Endymion received scathing criticism after its release, [1] and Keats himself noted its diffuse and unappealing style. Keats did not regret writing it, as he likened the process to leaping into the ocean to become more acquainted with his surroundings; in a poem to J. A. Hessey, he expressed that "I was never afraid of failure; for I would sooner fail than not be among the greatest."
And I pray that you, being rooted and established in love, may have power, together with all the saints, to grasp how wide and long and high and deep is the love of Christ, and to know this love that surpasses knowledge—that you may be filled to the measure of all the fullness of God.
"There's this peace that surpasses understanding." "I lead a stressful life… and having this relationship [with faith] is everything… I wish that joy for others… part of what I'm so excited ...
Mudita meditation cultivates appreciative joy at the success and good fortune of others. The Buddha described this variety of meditation in this way: . Here, O, Monks, a disciple lets his mind pervade one quarter of the world with thoughts of unselfish joy, and so the second, and so the third, and so the fourth.
"Trust in the Lord with all your heart and lean not on your own understanding; in all your ways submit to him, and he will make your paths straight." — Proverbs 3:5-6 30.
The fruits of charity are joy, peace, and mercy. [3] In December 2005, Pope Benedict XVI issued the encyclical Deus caritas est, in which he discussed "... the love which God lavishes upon us and which we in turn must share with others." [8] Charity (c. 1920), oil painting by Antonio Salguero Salas. MuNa, Quito.
He considers both the beautiful and the sublime as "indefinite" concepts, but where beauty relates to the "Understanding", sublime is a concept belonging to "Reason", and "shows a faculty of the mind surpassing every standard of Sense" (§ 25).
"It Is Well With My Soul", also known as "When Peace, Like A River", is a hymn penned by hymnist Horatio Spafford and composed by Philip Bliss.First published in Gospel Hymns No. 2 by Ira Sankey and Bliss (1876), it is possibly the most influential and enduring in the Bliss repertoire and is often taken as a choral model, appearing in hymnals of a wide variety of Christian fellowships.