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In 2016, a documentary film, The Original Image of Divine Mercy, was released and told the story of the original Divine Mercy painting and its survival over the decades. Made with the co-operation of the Archdiocese of Vilnius , the film included interviews with Jim Gaffigan , Bishop Robert Barron , Harry Connick Jr. , and Archbishop Gintaras ...
Eugeniusz Marcin Kazimirowski (11 November 1873 – 23 September 1939 in Białystok) was a Polish painter, and member of the realism movement.He is best known for the first depiction of the Divine Mercy image in 1934, based on a request from Faustyna Kowalska and her confessor Michael Sopoćko.
Hyła painted the Divine Mercy image for the Divine Mercy Sanctuary, Kraków, as a votive offering for having survived World War II. [2] [3] The image was painted by Hyła five years after the death of Faustina Kowalska in 1938, under the direction of one of her confessors, Józef Andrasz. [3]
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1939, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer .
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On Divine Mercy Sunday, 18 April 2004 under the care of Cardinal Audrys Bačkis, the church was restored, blessed, and given the title Shrine of the Divine Mercy. The church was adapted for the display of the original Image of Merciful Jesus, painted according to the vision of Saint Faustina Kowalska by artist Eugeniusz Kazimirowski in 1934.
The painting of Christ was moved to the Carmelite monastery and later to Vilnius Cathedral (a fresco of Jesus was painted in its original niche in the 19th century; it was uncovered in 1976). [4] In 1671, the monks built a wooden chapel to Our Lady next to the gate tower; it was around the time that the painting was covered in expensive silver ...
The Virgin of Mercy is a subject in Christian art, showing a group of people sheltering for protection under the outspread cloak, or pallium, of the Virgin Mary.It was especially popular in Italy from the 13th to 16th centuries, often as a specialised form of votive portrait; it is also found in other countries and later art, especially Spain and Latin America.