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Chant Noël: Chants For The Holiday Season was released 1 November 1994, [7] with Chant II released 17 October 1995 [8] and Chant III on 17 September 1996. [9] In 1998, Chant was reissued as a gold-audiophile CD by Mobile Fidelity Sound Lab. In 2004, it was re-issued along with its follow-up, Chant II as Chant: The Anniversary Edition by Angel ...
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
The songs were compulsory as Gregorian chant for the Roman church and largely replaced local vocal styles. In the style of the Gregorian chant emerged many new compositions that were increasingly melismatic. Their texts came from the Ordinary and the Proprium Missae, from antiphons for the worship service, and pieces from the Liturgy of the Hours.
Media vita in morte sumus (Latin for "In the midst of life we are in death") is a Gregorian chant, known by its incipit, written in the form of a response, and known as "Antiphona pro Peccatis" or "de Morte". [1] The most accepted source is a New Year's Eve religious service in the 1300s. [1]
"Tantum ergo" is the incipit of the last two verses of Pange lingua, a Medieval Latin hymn composed by St Thomas Aquinas circa A.D. 1264. The "Genitori genitoque" and "Procedenti ab utroque" portions are adapted from Adam of Saint Victor's sequence for Pentecost. [1]
Sacris Solemniis in the Catholic Encyclopedia discusses the merits of a number of translations. Panis angelicus (Franck): Scores at the International Music Score Library Project "Bread of Angels", Gregorian Chants; Panis angelicus: Text, translations and list of free scores by several composers at the Choral Public Domain Library (ChoralWiki)
Gallican chant refers to the liturgical plainchant repertory of the Gallican rite of the Roman Catholic Church in Gaul, prior to the introduction and development of elements of the Roman rite from which Gregorian chant evolved. Although the music was largely lost, traces are believed to remain in the Gregorian corpus.
Marian antiphons are a group of hymns in the Gregorian chant repertory of the Catholic Church, sung in honor of the Virgin Mary. [25] Marian antiphons are not true antiphons in that they are not associated and chanted with a Psalm verse; in an attempt to avoid confusion the terms votive antiphons or breviary anthems [26] are sometimes used instead.