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Horimono can also refer to the practice of traditional tattooing in Japanese culture; while irezumi usually refers to any tattooing (and often has negative connotations in Japan), "horimono" is usually used to describe full-body tattoos done in the traditional style. [2]
However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [4] Some people, concerned about the professional ramifications of permanent tattoos on their hands, turned to temporary Hajichi made using fruit-based inks. However, some traditionalists object to these practices. [4]
Chinese dragon mythology is the source of Japanese dragon mythology. Japanese words for "dragon" are written with kanji ("Chinese characters"), either simplified shinjitai 竜 or traditional kyūjitai 龍 from Chinese long 龍. These kanji can be read tatsu in native Japanese kun'yomi, [b] and ryū or ryō in Sino-Japanese on'yomi. [c] Many ...
Variant 1: daito or otodo Variant 2: taito Taito, daito, or otodo (𱁬/) is a kokuji (kanji character invented in Japan) written with 84 strokes, and thus the most graphically complex CJK character—collectively referring to Chinese characters and derivatives used in the written Chinese, Japanese, and Korean languages.
Tomoe (巴, also written 鞆絵), [a] commonly translated as "comma", [2] [3] is a comma-like swirl symbol used in Japanese mon (roughly equivalent to a heraldic badge or charge in European heraldry). It closely resembles the usual form of a magatama. The tomoe appears in many designs with various uses.
Nakano was inspired when he saw a Yakuza (Japanese gangster) with a full-body tattoo in a public bathhouse when he was a young boy, "about eleven or twelve." [3] This inspired him to visit legendary tattoo artist Yoshitsugu Muramatsu, also known as Shodai Horiyoshi of Yokohama. [4]
Radical 212, 龍, 龙, or 竜 meaning "dragon", is one of the two of the 214 Kangxi radicals that are composed of 16 strokes. The character arose as a stylized drawing of a Chinese dragon, [1] and refers to a version of the dragon in each East Asian culture: Chinese dragon, Lóng in Chinese; Japanese dragon, Ryū or Tatsu in Japanese
Mizuchi is also the Japanese transliteration for several Chinese glyphs, [3] each glyph putatively representing a type of Chinese dragon: namely the jiāolóng (蛟竜; Japanese: kōryū) or "4-legged dragon", the qiúlóng (虬竜 or 虯竜; Japanese: kyūryū) or "hornless dragon" and the chīlóng (螭竜; Japanese: chiryū) or "yellow dragon".