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In the first movement alone, Mendelssohn departs from the typical form of a Classical concerto in many ways, the most immediate being the entry of the soloist almost from the outset, which also occurs in his First Piano Concerto. [9] Although the first movement is mostly in the conventional sonata form, Mendelssohn has the first theme played by ...
There is, for instance, a condensation and amplification with Schubertarian modulations of the exposition in the recapitulation for the first movement, and also a completely spontaneous treatment of the third." [citation needed] However the concerto has not established itself as a staple of the violin repertory, as has the E minor Concerto.
Double Concerto for Violin, Piano and String Orchestra in D minor (1823) Concerto for 2 Pianos and Orchestra (No. 1) in E major (1823) Concerto for 2 Pianos and Orchestra (No. 2) in A flat major (1824)
This piece is Mendelssohn's fourth work for a solo instrument with orchestral accompaniment, preceded by a Largo and Allegro in D minor for Piano and Strings MWV O1, the Piano Concerto in A Minor MWV O2, and the Violin Concerto in D minor MWV O3. Mendelssohn composed the work to be performed for a private concert on May 25, 1823 at the ...
A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day.
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn.
Mendelssohn's Piano Concerto No. 1 in G minor, Op. 25, was written in 1830–31, around the same time as his fourth symphony, and premiered in Munich on 17 October 1831. [1] This concerto was composed in Rome during a travel in Italy after the composer met the pianist Delphine von Schauroth in Munich.
Piano Concerto No. 1 (Mendelssohn) Piano Concerto No. 2 (Mendelssohn) Concerto for Piano, Violin and Strings (Mendelssohn) Concerto for Two Pianos and Orchestra in A-flat major (Mendelssohn) Concerto for Two Pianos and Orchestra in E major (Mendelssohn)