Search results
Results From The WOW.Com Content Network
Three Shakespeare Songs is a piece of classical choral music written for an a cappella SATB choir. It was written in 1951 by the British classical composer Ralph Vaughan Williams. The work comprises three short pieces which are settings of text from two plays by the English playwright William Shakespeare. It is published by Oxford University Press.
SATB is an initialism that describes the scoring of compositions for choirs or consorts of instruments. The initials are for the voice types : S, soprano , A, alto , T, tenor and B, bass . It can also describe a choir, collectively for SATB music.
Six Lieder for four mixed voices or SATB chorus a cappella, Op. 41 (1834–38) Three Lieder for bass voice and piano, Op. Posth. 84 (1831–39) Six Songs for voice and piano, Op. 47 (1832–39) Ersatz für Unbestand, TTBB chorus a cappella (1839) (WoO 8) (MWV G 25) Der erste Frühlingstag for four mixed voices or SATB chorus a cappella, Op. 48 ...
SATB a cappella Quatre Motets sur des thèmes grégoriens (Four motets on Gregorian themes), Op . 10, are four sacred motets composed by Maurice Duruflé in 1960, based on Gregorian themes . He set Ubi caritas et amor , Tota pulchra es , Tu es Petrus and Tantum ergo .
Music performed a cappella (/ ˌ ɑː k ə ˈ p ɛ l ə / AH kə-PEL-ə, UK also / ˌ æ k ə ˈ p ɛ l ə / AK ə-PEL-ə, Italian: [a kkapˈpɛlla]; [1] lit. ' in [the style of] the chapel '), less commonly spelled a capella in English, [2] is music performed by a singer or a singing group without instrumental accompaniment.
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Jauchzet dem Herrn alle Welt, BWV Anh. 160 (=TWV 8:10) is a three-movement pasticcio motet for SATB–SATB attributed to, among others, Bach and Georg Philipp Telemann. All that is certain regarding Bach's participation in the work is that its second movement derives from the second movement of Bach's cantata BWV 28 .
The Grammy Award for Best Instrumental Arrangement (and its subsequent name changes) has been awarded since 1963. The award is presented to the arranger(s) of the music. Only songs or tracks are eligible, no longer works (e.g. alb