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Sugama Tōfukuji Stone Reliquary (須釜東福寺舎利石塔, Sugama Tōfukuji shari sekitō) is a Kamakura period stone reliquary monument located within the grounds of the temple of Tōfuku-ji in the village of Tamakawa, Fukushima Prefecture, in the Tōhoku region of northern Japan. The stele was designated a National Historic Site of Japan ...
Jingū Taima (神宮大麻, Jingū Taima or Jingū Ōnusa [1]) is an ōnusa [2] wrapped in clean Ise washi and issued by the Ise Grand Shrine.They are a form of ofuda. [3] The Association of Shinto Shrines recommends every household have at least three Ofuda in their Kamidana, a Jingu Taima, an Ujigami ofuda, and another deity one personally chooses.
Sugamo Prison in 1945. Sugamo Prison was originally built in 1895, using the prisons of Europe as a model. By the 1930s it became known for housing political prisoners, including many communists and other dissenters who fell foul of the Peace Preservation Laws in the 1930s and 1940s.
The Sugamo child-abandonment case (巣鴨子供置き去り事件, Sugamo kodomo okizari jiken) was a situation uncovered in 1988 in Tokyo's Toshima Ward.It involved a mother of five children who abandoned the four surviving young children for months, resulting in the death of one.
In fiscal 2013, the JR East station was used by an average of 77,089 passengers daily (boarding passengers only), making it the 57th-busiest station operated by JR East. [5]
Sugamo Jizō-dōri. Sugamo (巣鴨) is a neighborhood in Toshima, Tokyo, Japan.It is home to Jizō-dōri (地蔵通り), a shopping street popular among the older generation, earning it the nickname "Granny's Harajuku."
The station opened on 27 December 1968. In the 2015 data available from Japan’s Ministry of Land, Infrastructure, Transport and Tourism, Nishi Sugamo → Sugamo was one of the train segments among Tokyo's most crowded train lines during rush hour.
Sugama Sangeetha, a variety of Bhavageethe, is an Indian musical genre in which poetry in the Kannada language is set to music. It gained recognition with the work of P. Kalinga Rao in the mid -20th century. Mysore Ananthaswamy and C. Aswath developed the form further in the 1960s and 1970s.