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These are unconventional waza (技) techniques and characteristic for this style. Roughly, the swordsman draws a semicircle (upwards or downwards) with both his right hand (holding the sword), and his left hand (free). He finishes the movement with his arms extended, the sword pointing upwards, and the free hand's index finger pointing downwards.
Nobutsuna perfected a style of sword fighting that was freer in its movements, more sparse, more restrained, more adapted to brawls and to duels, than to the fields of large scale battles. Nobutsuna created the ancient schools of sword known as satsujin-ken, or the killing swords. These are characterized by postures and offensive techniques ...
The production of swords in Japan is divided into specific time periods: jōkotō (ancient swords, until around 900 A.D.), kotō (old swords from around 900–1596), shintō (new swords 1596–1780), shinshintō (new new swords 1781–1876), gendaitō (modern or contemporary swords 1876–present) [22]
Durendal, also spelled Durandal, is the sword of Roland, a legendary paladin and partially historical officer of Charlemagne in French epic literature. The sword is famous for its hardness and sharpness. Sources including La Chanson de Roland (The Song of Roland) state that it first belonged to the young Charlemagne.
Tsukahara Bokuden (塚原 卜伝, 1489 – March 6, 1571) was a famous swordsman of the early Sengoku period.He was described as a kensei (sword saint). He was the founder of a new Kashima style of kenjutsu, and served as an instructor of Shōgun Ashikaga Yoshiteru and Ise provincial governor daimyō Kitabatake Tomonori.
The swords of Masamune possess a reputation for superior beauty and quality, remarkable in a period where the steel necessary for swords was often impure. He is considered to have brought to perfection the art of " nie " ( 錵 , martensitic crystals embedded in pearlite matrix , thought to resemble stars in the night sky) .
In Medieval epics, heroes gave names to their weapons. The name, lineage, and power of the weapon reflected on the hero. Among the major tales are those of Sigurd the Volsung and his sword Gram that he used to kill the dragon Fafnir; [a] [1] Beowulf and the swords Hrunting and Nægling; [2] King Arthur's Excalibur, the "Sword in the Stone"; [2] Roland's Durendal; Waldere's Mimming; [2] and the ...
The style of the engravings is similar to those of the swordsmith Heianjō Nagayoshi, so some scholars suggest Muramasa studied under Nagayoshi. [4] It is also silver-damascened with characters Nabeshin (鍋信), which suggests that the sword was once in possession of Nabeshima Katsushige (1580–1657), the first daimyō lord of Saga Domain. [4]