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Artistic depictions show armor that has a top piece which covers the shoulders and is tied down on the chest, a main body piece wrapping around the wearer and covering the chest from the waist up, and a row of pteruges or flaps around the bottom which cover the belly and hips. Vase paintings from Athens often show scales covering part of the ...
Linothorax armor made out of linen fabric was the most common form of infantry torso armor, being cheap and relatively light. Bronze breastplate armor was also used, in forms such as a bell cuirass. Little other armor was worn, and fatal blows to unprotected areas (such as the bladder or neck) are recorded in ancient art and poetry. [12]
A manica (Latin: manica, "sleeve"; [1] Greek: χεῖρες, kheires, "sleeves") was a type of iron or copper-alloy laminated arm guard with curved, overlapping metal segments or plates fastened to leather straps worn by ancient and late antique heavy cavalry, infantry, and gladiators.
This large shield was made possible partly by its shape, which allowed it to be supported comfortably on the shoulder. The revolutionary part of the shield was, in fact, the grip. Known as an argive grip, it placed the handle at the edge of the shield and was supported by a leather or bronze fastening for the forearm at the center, known as the ...
Pteruges of leather or stiffened linen are depicted at the shoulders and hips, emerging from beneath his cuirass. Detail of the Alexander Mosaic , a Roman copy of a Hellenistic painting. Pteruges (also spelled pteryges ; from Ancient Greek πτέρυγες ( ptéruges ) 'feathers') are strip-like defences for the upper parts of limbs attached ...
Originally made from hammered bronze plate, boiled leather also came to be used. [citation needed] It is commonly depicted in Greek and Roman art, where it is worn by generals, emperors, and deities during periods when soldiers used other types. In Roman sculpture, the muscle cuirass is often highly ornamented with mythological scenes ...
It was made up of a gorget, breast covering, back and tassets, full arms and gauntlets. In the 10th and 11th century, the depiction of some Byzantine troops wearing a metallic corselet lamellar armour (besides the lorikion scale armour that was widely used by the Stratioti ) is shown in the Skylitzes and Madrid Skylitzes chronicles and of the ...
It was cut like a Greek cuirass made of linen. Leather pteruges were underneath the armor. [3] The lorica hamata contained flaps that ran from about mid-back to the front of the torso. These flaps were connected to the main armor through hooks made of either brass or iron that connected to studs riveted through the ends of the flaps. [2]