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Learning to rub the ink is an essential part of calligraphy study. Traditionally, Chinese calligraphy is written only in black ink, but modern calligraphers sometimes use other colors. Calligraphy teachers use a bright orange or red ink with which they write practice characters on which students trace, or to correct students' work.
The long s, ſ , also known as the medial s or initial s, is an archaic form of the lowercase letter s , found mostly in works from the late 8th to early 19th centuries. It replaced one or both [ a ] of the letters s in a double- s sequence (e.g., "ſinfulneſs" for "sinfulness" and "poſſeſs" or "poſseſs" for "possess", but never ...
In China, letters of the English alphabet are pronounced somewhat differently because they have been adapted to the phonetics (i.e. the syllable structure) of the Chinese language. The knowledge of this spelling may be useful when spelling Western names, especially over the phone, as one may not be understood if the letters are pronounced as ...
The List of Commonly Used Standard Chinese Characters is the current standard list of 8,105 Chinese characters published by the government of the People's Republic of China and promulgated in June 2013.
Mathematical Alphanumeric Symbols is a Unicode block comprising styled forms of Latin and Greek letters and decimal digits that enable mathematicians to denote different notions with different letter styles. The letters in various fonts often have specific, fixed meanings in particular areas of mathematics.
The basic Arabic range encodes the standard letters and diacritics, but does not encode contextual forms (U+0621–U+0652 being directly based on ISO 8859-6); and also includes the most common diacritics and Arabic-Indic digits. The Arabic Supplement range encodes letter variants mostly used for writing African (non-Arabic) languages.
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Since its creation, Thuluth has given rise to a variety of scripts used in calligraphy and over time has allowed numerous modifications. Jeli Thuluth was developed for use in large panels, such as those on tombstones. The Muhaqqaq script was developed by widening the horizontal sections [clarification needed] of the letters in Thuluth.