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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
The character 永; yǒng; 'forever', 'permanence': its stroke order animated (left) and colored sequentially from black to red (right) The strokes numbered : where there are multiple numbers in an area, the strokes overlap briefly and continue from the previous number to the next.
Calligraphy has arguably become the most venerated form of Islamic art because it provides a link between the languages of the Muslims with the religion of Islam. The Qur'an has played an important role in the development and evolution of the Arabic language, and by extension, calligraphy in the Arabic alphabet. Proverbs and passages from the ...
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1]
The first category being the Uchen script. The word Uchen translates to 'with a head', this refers to the elongated letters of the alphabet, that are tall and block like with linear strokes. [5] Uchen script is the formal, upright and block style that is visually larger and less widely used amongst the civilians of Tibet and Bhutan.
Tibetan consonants in Ume script; note those with vertical tseg marks. Umê (Tibetan: དབུ་མེད་, Wylie: dbu-med, IPA:; variant spellings include ume, u-me) is a semi-formal script used to write the Tibetan alphabet used for both calligraphy and shorthand. [1]
The stroke order and stroke direction of Chinese characters, Vietnamese chữ Nôm, Korean hangul, and kana all facilitate writing in this manner. [why?] In addition, writing in vertical columns from right to left facilitated writing with a brush in the right hand while continually unrolling the sheet of paper or scroll with the left.