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Newcleus was an American electro and old school hip hop group that gained popularity in the early 1980s. The group is primarily known for its 12-inch single "Jam-On's Revenge" (re-released as "Jam on Revenge (The Wikki-Wikki Song)" (1983)) and "Jam on It" (1984).
"You Oughta Be in Pictures" is a 1934 song composed by the American songwriting team Dana Suesse and Edward Heyman. It was recorded two weeks later by Rudy Vallée for RCA Records and rapidly became the unofficial anthem of the American film industry. [ 1 ]
[3] [2] The song grew popular through DJ Jonathan Fearing playing it on weekends on WBLS. [3] This led to Webb making a deal with Sunnyview Records, which had Fearing edit the song to have it arranged similarly to the ones played on the radio. [3] When Sunnyview released the single, it was again mislabeled as "Jam on Revenge". [3]
Knowles' co-writers for the song were Amanda Ghost, Scott McFarnon, Ian Dench, James Dring and Jody Street. [1] At the Golden Globes, "Once In a Lifetime" lost out to Bruce Springsteen's title track for the movie The Wrestler. The soundtrack spent 48 weeks at number one on the Top Blues Albums and it has sold over 165,000 copies in the US.
[1] [2] In 1973, she released the song "Yesterday and You", a Top 30 single on the Easy Listening chart and #117 on the Bubbling Under chart. In the late 1970s, she performed a duet with Leonard Coleman Boone called "There's No Me Without You", and was a part of the musical group Wondergap with Jim Ryan and Andy Goldmark, signed to A&M Records.
Fitting that his last act on the national stage was as the inspirational nucleus of ... probably a line from a movie or a bar from a song. Yet these pieces of flair were more like pictures of a ...
The Academy Awards have staged some iconic showdowns. Think of the tension around “La La Land” versus “Moonlight,” “12 Years a Slave” versus “Gravity” or “The Godfather” versus ...
The album also spawned a follow-up soundtrack, More Music from 8 Mile, consisting of songs that appear in the film and were released as singles during the film's time setting of 1995. One of the songs was performed by 2Pac, who would be the subject of a documentary with a soundtrack produced by Eminem, who also produced a posthumous album by 2Pac.