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Chikan embroidery on a saree pallu. The present form of chikan (meaning elegant patterns on fabric) work is associated with the city of Lucknow, in Uttar Pradesh. Chikan embroidery on silk is Lucknow's own innovation. The other chikan styles are that of Calcutta and Dacca.
Various types of embroidery patterns are used for a lehenga-style sari. Bagh, chikan, kashida, kasuti, kantha, sozni, shisha, and zardozi are some of the commonly practiced types of embroidery in the lehenga-style sari. Bagh is a special kind of embroidery done by women in Punjab to be worn during festivals and weddings.
Kasuti embroidery work on Ravike ca. 1855–1879. Kasuti (Kannada: ಕಸೂತಿ) is a traditional form of folk embroidery practised in the state of Karnataka, India. [1] Kasuti work which is very intricate sometimes involves putting up to 5,000 stitches by hand and is traditionally made on dresswear like Ilkal sarees, Ravike/Kuppasa(Khana ...
The designs used in Kasuti reflect traditional patterns like palanquins, elephants and lotuses which are embroidered onto Ilkal saris. These saris are usually 9 yards in length and the pallu of the Ilkal sari (the part worn over the shoulder) carries designs of temple towers. [2] This pallu is usually made of red silk with white patterns. [3]
Kantha, also spelled kanta or qanta, is a type of embroidery craft in Bangladesh and eastern regions of India, particularly in the Indian states of West Bengal, Tripura and Odisha. In Odisha, old saris are stacked on each other and hand-stitched to make a thin piece of cushion. This is normally used above a bed cushion or instead of a cushion ...
A Banarasi sari is a sari made in Varanasi, an ancient city in the Bhojpur-Purvanchal region, which is also called Benares (Banaras). The saris are among the finest saris in India and are known for their gold and silver brocade or zari , fine silk and opulent embroidery.