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The purpose of all lighting consoles, however is the same: to consolidate control of the lights into an organized, easy-to-use system, so that the lighting designer can concentrate on producing a good show. Most consoles accept MIDI Show Control signals and commands to allow show control systems to integrate their capabilities into more complex ...
For example, a variety of show control sub systems such as sound consoles, sound playback controllers, virtual audio matrices and switchers, video playback systems, rigging controllers, pyro and lighting control systems directly respond to MSC commands. However, most standalone generic MSC controllers are intended to actuate a generic ...
MIDI Show Control (MSC) is a set of SysEx commands for sequencing and remotely cueing show control devices such as lighting, music and sound playback, and motion control systems. [129] Applications include stage productions, museum exhibits, recording studio control systems, and amusement park attractions. [128]
Lighting control systems are sometimes referred to under the term smart lighting. Lighting control systems serve to provide the right amount of light where and when it is needed. [1] Lighting control systems are employed to maximize the energy savings from the lighting system, satisfy building codes, or comply with green building and energy ...
MIDI allows multiple instruments to be played from a single controller (often a keyboard, as pictured here), which makes stage setups much more portable. This system fits into a single rack case, but prior to the advent of MIDI. it would have required four separate, heavy full-size keyboard instruments, plus outboard mixing and effects units.
Buchla's first modular electronic music system was the result of a San Francisco Tape Music Center commission by composers Ramon Sender and Morton Subotnick in 1963, who later allotted $500 from a Rockefeller Foundation grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to ...