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Stamped concrete in various patterns, highlighted with acid stain. Decorative concrete is the use of concrete as not simply a utilitarian medium for construction but as an aesthetic enhancement to a structure, while still serving its function as an integral part of the building itself such as floors, walls, driveways, and patios.
Originally, concrete was used as a matrix, which means that older pieces will be structurally unsound and require renovation. Today, modern technology has created appropriate solutions: An epoxy resin was created with the same expansion rate as the glass. This resin is now used as a matrix instead of concrete. This has solved all structural ...
In 1962, Allen designed the concrete, stained glass and leaded light baldachin for St John's Church in Te Awamutu. [9] After the Futuna Chapel, Allen's work moved further away from traditional approaches and concepts. One piece, made in 1965, was a seven-metre-long (23 ft) work commissioned for the Wellington offices of chemical company ICI.
During the 1980s Nowacki discovered to himself Polish constructivism. Henryk Stazewski's art had an influence on the early works of Nowacki.Since the 1990s Nowacki had collaborated with Heinz Teufel, a collector who owned one of the most prestigious art galleries for concrete art in Europe, located in Cologne and later in Berlin.
The basement floor of acid-stained decorative concrete is also a rare surviving example of a technique pioneered by Robert D. Lammens during the 1920s. The house was listed in the National Register of Historic Places in 1984. [1] A native of Scotland, George Oakley arrived in Hawaiʻi during the 1910s by way of the continental U.S.
One of Haig's earliest public works is the concrete, glass and granite chip frieze in the booking hall of South Ruislip station. It is thought by some to date from the 1948 construction of the station; others date it at 1961. [3] St Richard's Church, Ham, London. Both Joan and Henry went into teaching.
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