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The house is significant as an early prototype of Dickey's "Hawaiian style" architecture and for its association with one of Hawaiʻi's most famous architects. The double-pitched hip roof with overhanging eaves became such a Dickey trademark that it is often called a "Dickey roof." Other features of the style include many windows and an ...
Traditional Chinese house architecture refers to a historical series of architecture styles and design elements that were commonly utilized in the building of civilian homes during the imperial era of ancient China. Throughout this two-thousand-year-long period, significant innovations and variations of homes existed, but house design generally ...
Opened in 1901, the Moana Hotel is a model for contemporary Hawaiian architectural design. Hawaiian architecture is a distinctive architectural style developed and employed primarily in the Hawaiian Islands. Though based on imported Western styles, unique Hawaiian traits make Hawaiian architecture stand alone against other styles.
The painting depicts an annual imperial ceremony of silk production, held in spring. It shows three groups of Tang dynasty court ladies at work. Viewing from left, one figure sitting on the ground is preparing a thread and the other is sewing while sitting on a stool. The right group of four ladies are pounding the silk with wooden poles.
Juliette May Fraser (born Hawaii 1887–1983) painter, muralist and printmaker, Charles Furneaux (born Boston 1835–1913) painter and educator, Hon Chew Hee (born Hawaii 1906–1993) painter, D. Howard Hitchcock (born Hawaii 1861–1943) painter, Ogura Yonesuke Itoh (born Japan 1870–1940) painter, Princess Kaʻiulani (born Hawaii 1875–1899 ...
Although Hawaii is known for its native plant species, none of the flowers or plants depicted in O'Keeffe's paintings are endemic to Hawaii. [67] The plants and flowers O'Keeffe painted represent introduced species that had been brought to the Hawaiian Islands, initially by Polynesian voyagers in canoes, and much later, Europeans, over a ...
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[32] [135]: 1–7 Flowers pinning was a well-liked custom in the Song dynasty; people regardless of their age, gender, and social ranks would pin flowers on themselves; these flowers could be either artificial flowers (i.e. made of silk, rice-paper plant flower, coloured glaze flower, etc.) or natural fresh flowers.