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In United States law, the term Glomar response, also known as Glomarization or Glomar denial, [1] means to respond evasively to a question with the phrase "neither confirm nor deny" (NCND). [2] For example, in response to a request for police reports relating to a certain person, the police agency may respond: "We can neither confirm nor deny ...
Confirm or Deny is a 1941 war drama film directed by Archie Mayo and starring Don Ameche, Joan Bennett and Roddy McDowall. It was produced and distributed by Hollywood studio 20th Century Fox. The screenplay was written by Jo Swerling, based on a story by Samuel Fuller and Henry Wales. An uncredited Fritz Lang worked on the film as director.
Plausible deniability is the ability of people, typically senior officials in a formal or informal chain of command, to deny knowledge of or responsibility for actions committed by or on behalf of members of their organizational hierarchy.
“I’m not going to confirm or deny anything, but there’s many people involved, and I once again say the same statement I said before — the kids, they’re the priority and so for the time ...
“I have never, and I won’t ever, speak about or confirm or deny anything about my personal life with anyone, ever," Garfield, 41, said.
The court is persuaded that requiring AT&T to confirm or deny whether it has disclosed large quantities of telephone records to the federal government could give adversaries of this country valuable insight into the government's intelligence activities.
An adviser to the Belarus defence minister on Friday refused to confirm or deny whether Russian tactical nuclear weapons were stored at a facility at Osipovichi in central Belarus. "Perhaps the ...
If one party to a debate accuses the other of denialism they are framing the debate. This is because an accusation of denialism is both prescriptive and polemic: prescriptive because it carries implications that there is truth to the denied claim; polemic since the accuser implies that continued denial in the light of presented evidence raises questions about the other's motives. [10]