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The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
Members of fandoms often create pieces of fan art depicting fictional characters that they ship in romantic situations. Shipping (derived from the word relationship ) is the desire by followers of a fandom for two or more people, either real-life people or fictional characters (in film, literature, television series, etc.), to be in a romantic ...
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A story generator or plot generator is a tool that generates basic narratives or plot ideas. The generator could be in the form of a computer program, a chart with multiple columns, a book composed of panels that flip independently of one another, or a set of several adjacent reels that spin independently of one another, allowing a user to select elements of a narrative plot.
Romance or romantic love is a feeling of love for, or a strong attraction towards another person, [1] and the courtship behaviors undertaken by an individual to ...
As this page asserts, romantic love is characterized by its ups and downs, where experiences range from the ecstatic experiences of reciprocated love to the anxiety associated with unrequited love; various neurobiological substrates are responsible for producing these feelings, and as such, chemical patterns responsible for this range of ...
Gavin & Stacey is a British romantic situation comedy that follows the long-distance relationship of Gavin (Mathew Horne) from Billericay in Essex, England, and Stacey (Joanna Page) from Barry in the Vale of Glamorgan, Wales.
The concept that there is a distinction between romantic orientation and sexual orientation has not been studied extensively. [19] [page needed] American psychologist Lisa M. Diamond, who focuses her studies on sexual orientation and identity, has stated that a person's romantic orientation can differ from whom the person is sexually attracted ...