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William Finnegan is a staff writer at The New Yorker and author of works of international journalism. He has specially addressed issues of racism and conflict in Southern Africa and politics in Mexico and South America, as well as poverty among youth in the United States, and is well known for his writing on surfing.
Chapters in the book include: [3] the "Apocalyptionary" (a glossary of The End) "The End is Near" (a timeline of failed end-of-the-world predictions) "Know Your Potential Antichrists" (a gallery of Antichrist candidates) "Fun with Eschatology" (an introduction to apocalyptic theory) "Armageddon Grab-Bag"
It may find an origin in the apocryphal Apocalypse of Thomas [3] and is found in many post-millennial manuscripts in Latin and in the vernacular. References to it occur in a great multitude and variety of literary works, and via the Cursor Mundi it may have found its way even into the early modern period, in the works of William Shakespeare .
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Notes from an Apocalypse is an investigative book about the anxieties of a potential ecological and social collapse and the movements of survivalism that have followed. Mark O'Connell describes his experiences at the Chernobyl Exclusion Zone, survival bunkers in South Dakota, an apocalyptic retreat in New Zealand, and with the environmentalist group Dark Mountain Project in the Scottish Highlands.
Paul Meyer and Léopold Delisle, in their book L'Apocalypse en français au XIII e siècle (Paris MS fr. 403), 2 vols., Paris, 1901, [1] were the first scholars to try to list, describe and categorize the Apocalypse manuscripts. M. R. James also wrote about illustrated Apocalypse manuscripts in his book The Apocalypse in Art, London, 1931. [2]
The Angel Measuring the New Jerusalem. The Morgan Beatus contains preliminary material with brilliantly painted Evangelist portraits (ff. 1–9), Beatus's Commentary on the Apocalypse, (ff. 10-233), excerpts from Isidore of Seville's De ad finitatibus et gradibus and of his Etymologies (ff. 234r-237r), St. Jerome's Commentary on Daniel, (ff. 239–293), and a third exposition of the Apocalypse ...