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Philip Marlowe Concerto (Piano Concerto No. 2) Piano Concerto No. 2 for the left hand (in C minor and E-flat major) (Bortkiewicz) Piano Concerto No. 3 "Per aspera ad astra" (Sergei Bortkiewicz) Piano Concerto No. 1 (Arthur De Greef) Piano Concerto (Delius) Piano Concerto No. 1 (Concerto capriccioso) (Théodore Dubois)
Piano Concerto No. 1, Op. 39 (1997–98) (I. River of Loss; 2. Dialogue with Time; 3. Wind of Oblivion; Part 2, Dialogue with Time, can be performed separately as an orchestral piece with the piano being part of the orchestra) Double concerto for violin, piano and orchestra, Op. 40 (1997)
Concerto for Violin, Piano, and Orchestra (Mozart) This page was last edited on 22 March 2024, at 10:45 (UTC). Text is available under the Creative Commons ...
Violin Concerto "Bristlecone Concerto", for violin and chamber orchestra (1984) Double Concerto for violin, mandolin and orchestra or chamber orchestra "Would You Just As Soon Sing As Make That Noise?!" (1983) Leoš Janáček (1927) Joseph Joachim. Violin Concerto No. 1 in G minor, Op. 3 (1851), in one movement, dedicated to Franz Liszt
For a long time relatively neglected, Mozart's piano concertos are recognised as among his greatest achievements. They were championed by Donald Tovey in his Essay on the Classical Concerto in 1903, and later by Cuthbert Girdlestone and Arthur Hutchings in 1940 (originally published in French) and 1948, respectively.
Performance of a piano concerto involves a piano on stage with the orchestra. A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique.