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Rio Lobo is a 1970 American Western film directed and produced by Howard Hawks and starring John Wayne, from a screenplay by Burton Wohl and Leigh Brackett. The film was shot in Cuernavaca in the Mexican state of Morelos and in Tucson, Arizona .
Rio Lobo: Col. Cord McNally: Howard Hawks [232] [233] Swing Out, Sweet Land: Himself Stan Harris Harry Jackson: A Man and His Art: Narrator N/A Short documentary 1971 Big Jake: Jacob McCandles: George Sherman Also uncredited executive producer [234] [235] 1972 The Cowboys: Wil Andersen: Mark Rydell [236] [237] Cancel My Reservation: Himself ...
Rio Lobo [5] Philips, a rancher: With John Wayne: 1971: Support Your Local Gunfighter [6] Jake: With James Garner, Suzanne Pleshette, Dub Taylor, Harry Morgan, and Chuck Connors: 1971: The Last Rebel: Matt: 1971: Hannie Caulder: Frank Clemens: With Robert Culp, Strother Martin, and Ernest Borgnine [7] 1973: The Red Pony: Granddad: With Henry ...
Mitchum appeared in more than 60 films in 14 countries. He appeared with John Wayne [1] in the motion pictures Chisum (1970), Rio Lobo (1970), and Big Jake (1971). He was cited by Box Office magazine as one of the top five stars of the future and the recipient of Photoplay's Gold Medal Award for 1972.
In Rio Bravo, Chance is surrounded by allies—a deputy who is brave and good with a gun, despite recovering from alcoholism (Dude), a young untried but self-assured gunfighter (Colorado), a limping, crippled old man who is doggedly loyal (Stumpy), a Mexican innkeeper (Carlos), his wife (Consuelo), and an attractive young woman (Feathers)—and ...
[4] [5] Originally set up at 20th Century Fox, the project moved to Warner Bros.-7 Arts in August 1969 because John Wayne wanted to make the film that year, but Fox's production schedule was full. [ 4 ] [ 5 ] [ 6 ] Michael Wayne , John's son and the film's executive producer, took on the project of making Chisum because he felt the story summed ...
Donner's first role was an uncredited part in the 1959 John Wayne Western Rio Bravo; he also appeared in the sequels (which formed a loose trilogy), El Dorado and Rio Lobo. He also appeared in Chisum, The Undefeated, and The Man Who Shot Liberty Valance.
[4] Roger Greenspun of The New York Times wrote "I don't think that tone and attitude are quite enough to sustain a movie, or that an air of good feeling can take the place of meaningful dramatic action. But as an exercise in pleasantness, 'The Train Robbers' is an interesting addition to the late history of the traditional unpretentious Western."