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Jesus' discourse with Nicodemus is related in John 3:1–21, [1] but not in the synoptic gospels. [2] For fear of the Jewish authorities a ruler in Israel, Nicodemus, one of the Pharisees, comes by night to see Jesus. Jesus explains to him that to enter the Kingdom of God, he must be born again of water
Scholar of placenames, researcher Rosamund Rodman, noted in a 2008 article that enslaved people who learnt to read generally did so in secret and at night, due to risks of punishment for this forbidden activity. The gospel's Nicodemus came to Jesus to learn from him, also in secret and at night, for fear of repercussions.
A 9th- or 10th-century manuscript of the Gospel of Nicodemus in Latin. The Gospel of Nicodemus, also known as the Acts of Pilate [1] (Latin: Acta Pilati; Ancient Greek: Πράξεις Πιλάτου, romanized: Praxeis Pilatou), is an apocryphal gospel purporting to derived from an original work written by Nicodemus, who appears in the Gospel of John as an acquaintance of Jesus.
Jesus talking to Nicodemus, depicted by William Hole. The first part of the chapter begins with Nicodemus, said to be a member of the ruling council, coming at night to talk with Jesus, whom he calls Rabbi. On account of Jesus' "miraculous signs", [3] Nicodemus and others ("we" in John 3:2) have recognized that Jesus is " a teacher come from God".
In the version of the Gospel of Luke, however, one taunts Jesus about not saving himself and them, and the other (known as the penitent thief) asks for mercy. [1] [2] [3] In apocryphal writings, the impenitent thief is given the name Gestas, which first appears in the Gospel of Nicodemus, while his companion is called Dismas. Christian ...
Rosso Fiorentino. Descent from the Cross. 1521.Oil on wood. 375 × 196 cm. Pinacoteca Comunale di Volterra, Italy.. The Descent from the Cross (Greek: Ἀποκαθήλωσις, Apokathelosis), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19, John 19:38–42).
As we embrace the multifaceted historical realities of Black History Month, it is not irony but ethnic reality that calls our attention to those passages of scripture in Mark 15:21 and Luke 23:26.
The Holy Face of Lucca (Italian: Volto Santo di Lucca) is an eight-foot-tall (2.4 m), ancient wooden carving of Jesus crucified in the cathedral of San Martino, Lucca, Italy. Medieval legends state that it was sculpted by Nicodemus who assisted St. Joseph of Arimathea in placing Christ in his tomb after the crucifixion. The same legends placed ...